Oppenheimer as Scientific Intellectual
A Centennial Conference
Final Program
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All sessions are held in the Faculty Club and open to the public
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FRIDAY, APRIL 23
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Opening Remarks (8:45)
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Session I: Oppenheimer in Public (9:00-10:30)
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Jon Else and Peter Galison
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Moderator: John L. Heilbron
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Coffee break (10:30-11:00)
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Session II: Oppenheimer as Physicist (11:00-1:00)
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David C. Cassidy, "From Theoretical Physics to the Bomb: J. Robert Oppenheimer and the American School of Theoretical Physics"
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Karl Hufbauer, "J. Robert Oppenheimer's Path to Black Holes"
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Commentator: Cathryn Carson
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Lunch break (1:00-2:15)
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Gregg Herken, Slide Show on Oppenheimer in Berkeley
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Session III: Politics: Answered and Unanswered Questions (Roundtable) (2:15-4:00)
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Barton Bernstein, Kai Bird, Gregg Herken, and Martin Sherwin
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Moderator: Charles Weiner
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SATURDAY, APRIL 24
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Session IV: Postwar Politics: The Oppenheimer Case in Context (8:30-11:30)
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Stephanie Young, "The Lawrence-Neylan Axis: The AEC Personnel Security Hearings in Berkeley, 1948-49"
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David Kaiser, "The Atomic Secret in Red Hands? Cold War Suspicions of Theoretical Physicists"
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Jim Hershberg, "'The Jig Was Up': J. Robert Oppenheimer and the International Control of Atomic Energy, 1947-49"
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W. Patrick McCray, "Killing the Messenger: Oppenheimer and Caltech's Project Vista"
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Commentator: Jessica Wang
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Coffee break (11:30-11:45)
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Session V: The Soviet Comparison (11:45-1:15)
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Alexei Kojevnikov,"'To Catch Up and To Surpass': New Revelations and Lingering Questions"
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David Holloway, "Parallel Lives? Oppenheimer and Khariton"
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Commentator: Martin Sherwin
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Lunch break (1:15-2:30)
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Option: Bancroft Exhibit Tour by David Farrell (1:45-2:30)
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Session VI: Cultural Ambitions, Cultural Context (2:30-5:00)
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Robert P. Crease, "Oppenheimer's Career and the Sense of the Tragic"
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S. S. Schweber, "Oppenheimer and the 'Two Cultures'"
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Charles Thorpe, "The Scientist in Mass Society: J. Robert Oppenheimer and the Post-War Liberal Imagination"
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Commentator: David Hollinger
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Coffee (5:00-5:15)
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Concluding Panel (5:15-6:30)
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Daniel J. Kevles, Richard Polenberg, and the audience
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